close button

A place to call home: Mixit's creative way of bringing migrants together

A place to call home: Mixit's creative way of bringing migrants together

Jan 9, 2017 Art

Lionel Floribert and Kaviesha Abeysinghe - Performers

At refugee arts programme Mixit, religion, culture, customs and skin colour become irrelevant for the performers.

When Lionel Floribert and Kaviesha Abeysinghe arrive at Corban Estate Arts Centre in Henderson every Saturday, they leave their baggage at the door.

Religion, culture, customs and skin colour become irrelevant; instead, they’re humans hanging out for the same purpose — to perform.

It’s 10 years since refugee arts programme Mixit began after founder Wendy Preston was shoulder-tapped by a philanthropist. For the former choreographer, it’s a full-time gig, and she’s at the arts centre at weekends, too, waiting for vanloads of youngsters to turn up; they travel from all over Auckland to sing, dance, and act their hearts out.

Floribert, 16, and Abeysinghe, 23, will lead 25 performers in Mixit’s annual show on January 20-21. While they’re from different backgrounds — Floribert is a refugee from the Congo,  Abeysinghe is a migrant from Sri Lanka — the pair share a passion for performance.

Abeysinghe says Mixit has given her the opportunity to become part of a community where being a minority carries no deeper implications. “You’re not getting judged for what country you come from or what skin colour you have.”

For Floribert, a student at Auckland Grammar School, Mixit is a place where he doesn’t have to try to blend in. “At Mixit, they have other people who speak my language, Swahili… In Auckland I didn’t know anyone who spoke my language except my grandma.”

The troupe face an intensive two-week rehearsal period — eight hours a day with a choreographer, drama director and a visual artist — for the show, This Way Out.Preston says it is a response to the current state of the world. “Post-Brexit, post-Trump, we’re living in a time when there’s a lot of fear and there’s a lot of suspicion, there’s a lot of division and wall-building.”

Mixit’s focus on contemporary dance is new to Abeysinghe, who was an avid traditional dancer in her home country. Her life here — working full-time as a food scientist, involvement in Mixit, and her independence — is something her parents, while supportive, struggle to come to grips with. “In Sri Lanka, you live at home until you get married … It’s really hard for me to convince them that it’s different now.”

And that’s where the importance of Mixit lies. Preston says that while young refugees and migrants juggle multiple identities, Mixit is where they can leave them behind. “It’s a place where they can find their own way. We give them a space where they can feel like they’re a part of their future, a sense of empowerment.” 

Mixit: This way out, Corban Estate Arts Centre, January 20-21,

This article was first published in the January- February 2017 issue of Metro. Follow Metro on Twitter, Facebook, Instagram and sign up to the weekly e-mail


Latest issue shadow

Metro N°440 is out now!

With progressive councillors starting to score some wins under what was anticipated to be a reactionary major, Hayden Donnell asks: Has Wayne Brown gone woke?
Plus: we go out and investigate Auckland’s nightlife (or in some cases, the lack thereof), with best bars (with thanks to Campari); going-out diaries from Chlöe Swarbrick, BBYFACEKILLA.mp3, Poppa.Jax & more; a look into Auckland’s drugs by Don Roew (who’s holding and how much they paid for it); we go on the campaign trail with Willie Jackson, talk to gallerist Michael Lett, drink martinis and alternative wines, start seeing a therapist, visit Imogen Taylor’s studio, look into Takutai Tarsh Kemp’s wardrobe. And more!

Buy the latest issue